#The outer worlds game full

Almost everything in the game, large and small, feels written to reinforce the larger themes of the world or to give that world unexpected depths, leading to a sense of place that feels lively and coherent. It's focused and witty, layered and satirical, with a thoroughness to it that's frustratingly rare to see in games. Here are the people who get it.ДЄnd, true to form, the moment-to-moment writing of The Outer Worlds is superb. The company returning to this genre with The Outer Worlds felt like a thrilling development. Obsidian's pedigree has always been their ability to pay close attention to theme and narrative design, steeped in the old tradition of roleplaying as actually occupying a specific role in the world, as opposed to the generalist superhero favored by a lot of modern open-world RPGs. The last time Obsidian made a game like this, after all, it was Fallout: New Vegas, an inventive sequel to Bethesda's Fallout 3 that remains one of the deepest, most thematically and narratively satisfying RPGs ever made.

The Outer Worlds follows in the tradition of some of the most lauded roleplaying games in existence. If only playing in that world didn't also feel so laborious. The Outer Worlds draws its best moments from this contrast, and from the suffering and determination of the people living under the yoke of a really asinine economic system right out of the Gilded Age. The spacefaring world of the game is beautiful, brightly colored, a site of awe and mystery-and absolutely depressing to the core.

#The outer worlds game full

The Outer Worlds is full of a lot of experiences like this, where the absolute bleak horror of a space empire run by lousy corporations melds with an intergalactic setting to produce moments that are stunning in their tragicomic brutality.